ASU is pleased to present Stravinsky’s rarely performed operatic masterpiece, "The Rake's Progress", an English-language opera from 1951 in three acts and an epilogue, based loosely on the eight paintings and engravings "A Rake’s Progress" (1733–1735) of William Hogarth.
Arizona State University’s Music Theatre and Opera 2022–23 season is filled with full-scale productions after two years of smaller productions due to COVID-19.
Arizona State University’s Music Theatre and Opera 2022–23 season is filled with full-scale productions after two years of smaller productions due to COVID-19.
"Head Over Heels" is the bold new musical comedy from the visionaries that rocked Broadway with "Hedwig and the Angry Inch," "Avenue Q" and "Spring Awakening."
"Songs From Liquid Days" is a collection of songs by composer Philip Glass with lyrics by Paul Simon, Suzanne Vega, David Byrne and Laurie Anderson.
While wind and haboobs are a welcome change in the weather, Arizonans would be better to avoid being outside on a windy day. Inhaling dust can bring not only particulates but also a deadly fungus into our lungs that can causes Valley fever, an ailment unique to the southwestern United States. Most who become ill have mild symptoms, but for others it can be deadly. Diagnosing Valley fever can be difficult and frustrating.
Music by Gaetano Donizetti
Libretto by Jules-Henri Vernoy de Saint-Georges and Jean-François
English dialogue by Ruth and Thomas Martin
Join The College's division of humanities for a weeklong celebration of the human adventure across time, history, culture and place. Discover how studying the humanities can lead to a fulfilling life and a more just world.
The Seeking Justice in Arizona Fall Lecture Series, now in its 18th year, brings in experts from our local communities to discuss critical national issues in an Arizona context.
From the very beginning, the history and study of the American Revolution has been bound up with the national identity of the United States, and thus with the country’s present needs. In recent years, the competing imperatives of activists and journalists at both edges of our ideological spectrum have produced warring narratives of the American founding: slavery versus liberty, original sin versus germinal gift, a conclave of villains versus garden of heroes.